Poets' Favorite Movies
A Few Recommended
Films Arranged Chronologically
1. For the glamour of
masochism:
BLONDE VENUS, 1932, US. Director, Josef von Sternberg.
Marlene Dietrich, Herbert Marshall, Dickie Moore, Cary
Grant.
[See also NOTORIOUS, 1946, US. Director, Alfred Hitchcock.
Screenplay, Ben Hecht.
Cary Grant,
Ingrid Bergman, Claude Rains, Madame Konstantin.]
2. For Lubitsch:
THE MERRY WIDOW, 1934, US. Director, Ernst Lubitsch. First sound
adaptation of Franz Lehar’s operetta.
Maurice Chevalier, Jeanette MacDonald, Una Merkel, Edward
Everett Horton.
3. For a holiday alternative to It’s a
Wonderful Life’s critique of capitalism:
DODSWORTH, 1936, US. Director, William Wyler. Screenplay, Sidney
Howard from Sinclair Lewis novel.
Walter Huston, Ruth Chatterton, Mary Astor.
4. For characters with “too much” imagination:
BRINGING UP BABY, 1938, US. Director, Howard Hawkes. Screenplay,
Dudley Nichols and Hagar Wilde.
Katharine Hepburn, Cary Grant, Charles Ruggles, May Robson.
[See also THE SEVEN YEAR ITCH, 1955, US. Director, Billy Wilder.
Screenplay, George Axelrod
and Billy Wilder from Axelrod’s play. Tom Ewell, Marilyn Monroe.]
5. For characters driven to tears – not counting
Bogart, who acts, alas, as Louise Brooks noted, mainly with his upper
lip:
THE MALTESE FALCON, 1941, US. Director, John Huston. Screenplay, John
Huston from Dashiell Hammett novel.
Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet,
Elisha Cook, Jr.
6. For Taylor’s most erotic performance:
NATIONAL VELVET, 1944, US. Director, Clarence Brown. Screenplay,
Theodore Reeves and Helen Deutsch from Enid Bagnold novel.
Mickey Rooney, Elizabeth Taylor, Anne Revere.
7. For the stupid American abroad, outdone by
zither music:
THE THIRD MAN, 1949, Britain. Director, Carol Reed. Screenplay, Graham
Greene.
Joseph Cotten, Valli, Trevor Howard, Orson Welles.
8. For the grammar of sadism:
FORBIDDEN GAMES, 1951, France. Director, Rene Clement.
Brigitte Fossey.
[See also THE SHOP ON MAIN STREET, 1965, Czech. Director, Jan Kadar.
Ida Kaminska.]
9. For the artist’s life: Feast, famine,
adaptation:
BABETTE’S FEAST, 1987, Denmark. Director, Gabriel Axel. Screenplay,
Gabriel Axel from story by Isak Dinesen.
Stephane Audran.
[See also SUPERSTAR: THE KAREN CARPENTER STORY, 1988, US. Director,
Todd Haynes.
Banned by Richard Carpenter and Mattel for telling the sad story with
Barbie dolls.]
[See also ADAPTATION, 2002, US. Director, Spike Jonze. Screenplay,
Charlie and Donald Kaufman.
Nicholas Cage, Meryl Streep, Chris Cooper.]
Judith Hall is the author, most recently, of
Three Trios, translations of the poet J II, and Poetry Forum:
A Play Poem: A Pl’em, a collaboration with David Lehman that she
illustrated. She has received awards from the Guggenheim Foundation, the
Ingram Merrill Foundation, and the National Endowment for the Arts. She
serves as poetry editor of The Antioch Review and teaches at the
California Institute of Technology and with the MFA in Poetry Program at
New England College.
Top |